Few comic strips have proven to be as multifaceted as those of Calvin and Hobbes. Bill Watterson's genius involved a high degree of versatility, as many of his comics can thematically resonate on completely opposite sides of the spectrum. On one hand, Calvin and Hobbes can be heartwarming, teaching valuable life lessons and even more malleable reflections on life itself.

On the other hand, Calvin and Hobbes can also be utterly unhinged. Sometimes, that means the comic takes a dark turn, and other times, it just takes a weird turn. Either way, Calvin and Hobbes can get so random by the end of a strip that it makes the reader want to double take at the cover to ensure that they are still reading a Calvin and Hobbes comic.

Once they confirm that their eyes aren't playing tricks on them, the reader then must wonder how Calvin and Hobbes got so weird out of nowhere.

10 Calvin Melts Away Like the Wicked Witch Of The West

First Published: March 1, 1987

Calvin Turns Into Water

The number one rule for any human of all ages is to always drink water, eith a notable exception being the witch of Wicked and Wizard of Oz fame. Good ole H2O is the number one source of sustenance for anyone living, except as this cartoon shows, for Calvin, in his mind, too much water has dire consequences. Technically speaking, he's not wrong, as drinking more water than the human kidney can reasonably excrete can lead to hyponatremia. What drinking too much water will not lead to, however, is turning into water.

Calvin thinks that to be the case, though, so the reader finds themselves confounded to watch the child drinking a glass of water on one , then moments later to melt away out of this cruel world. When looking at the root message, though, perhaps 'don't drink too much water' is the Calvin and Hobbes can offer.

9 Attack Of The Clothes

First Published: November 22, 1987

November 22 1987 Calvin and Hobbes Calvin's mom wakes Calvin up for school only for him to be attacked by clothes.jpg

Calvin and Hobbes is chock-full of recurring gags, but one of the strangest Calvin and Hobbes happens to be whenever Calvin gets attacked by his clothes. In Calvin's world, all the inanimate objects are alive, especially when it comes to pieces of clothing. This is no different, as what initially appears to be a mundane start to Calvin's morning quickly turns into a nightmare when all of his clothing talks at him whilst bum rushing out of his drawers and onto his body.

In a horror scenario, the concept is a little bit mortifying, but on the brightly lit page, it highlights the signature wackiness that the Calvin and Hobbes comics are known for. It's especially funny when his mother looks at her son completely unaware and bewildered as to what just transpired.

8 Calvin Is A God...Literally

First Published: December 6, 1987

calvin and hobbes comic where calvin imagines being a god

Nothing screams unexpected quite like a comic's main character becoming an elder god. That would not sound so odd out of a Marvel comic or even from DC, as all-powerful gods litter the Marvel Universe alone, but when it happens in a children's comic about a suburban boy and his tiger, it starts to raise eyebrows. It's almost like a jetlag-inducing culture shock to see a peering eye next to the Calvin and Hobbes title card, followed by mention of the mighty god Calvin creating universes.

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The culture shock brings the reader back to the comic's reality when Calvin's parents react, predicting that their son will one day become an architect with the attention to detail he gives to creating whole worlds in his head with a pair of tinkertoys.

7 Things Get Real For Calvin And Susie, And Weird Real Fast For Readers

First Published: July 19, 1989

Calvin and Susie Play House

Whenever Calvin and Susie play house, it always seems to go left in some way. That's mostly because whenever they play, it looks and feels like an actual crumbling marriage. That's the exact intention of Bill Watterson, the creator of Calvin and Hobbes. In Watterson's exhibition catalog book, Calvin and Hobbes: Sunday Pages 1985-1995, he says the following when addressing this exact comic strip:

With every strip, my goal is to surprise myself. If I'm not surprised, the reader surely won't be either. The surprises are usually fairly small, so it's a real delight when an idea pops in from Pluto. The soap opera drawing style, the ludicrous dialogue, the bizarre storyline - every part of the strip confounded expectations. I hoped the reader would wonder for a second if Calvin and Hobbes had been replaced by another strip.

Bill Watterson should know by now that his mission has been resoundingly accomplished, and out of all the comic strips Calvin and Susie played house in, this one might be the most confounding; the artwork, as stunning as it is, is so unlike Calvin and Hobbes that it'd leave anyone to second guess what they're reading. Then, the soap opera-esque committing to an argument about a bunny (or rabbit pretending to be a rabbit) is just as unexpected, yet captivating in a weird way.

6 Calvin Kazams The World Away

First Published: February 28, 1993

calvin and hobbes kazam

There are few things that children adore more than magic. On paper, the average child learning magic is harmless, but as readers should know by now, Calvin is not the average child. While most kids want to learn magic as a means to learn how to pull a rabbit from a hat or make a pencil disappear, this kid uses his consistent kazam spell to turn his family into bug people and plunge the world around him into a desolate, apocalyptic wasteland.

No reader would have expected any of those developments from the first , a simple image of Calvin staring at one of his parents. Somehow, the comic finds a new way to keep escalating. Just when the reader thinks they know where the rest of the comic is going to go, with Calvin turning all of his surroundings into bugs, suddenly that's when the world ends.

5 Calvin's Imagination Runs Wild

First Published: April 11, 1993

Calvin and Hobbes telling the tragic tale of Farmer Brown.

It would be an understatement to say that Calvin has an overactive imagination; half of the reason why so many Calvin and Hobbes strips tend to go off the rails is because they take place inside that overactive imagination. Most of the craziness behind these comics leave readers confused until they realize soon enough that most (if not, the entirety) of the story is taking place inside the mind of a six-year-old boy. This comic showcases what is probably Calvin's mind at its most chaotic.

Once Calvin's mind starts roaming, there's no stopping it, or telling where it will go next.

Planes crashing, earthquakes shattering, Farmer Brown's gas leak, and a train literally going off the rails all make up this comic that's, ittedly, a little much, even for Hobbes; once Calvin's mind starts roaming, there's no stopping it, or telling where it will go next. Some dream sequences shape him into a sweet and adorable kid, but stories like this showcase how evil Calvin can get.

4 Frosty The Scary Snowman

First Published: December 5, 1993

Calvin and Hobbes make snowman together

Making a snowman is a favorite pastime for most children during the winter season. It's becoming a lost art form, and Calvin has taking the art aspect to heart. The comic begins with him judging another child's snowman attempt for failing to reflect contemporary suburban life. He's criticizing it as one might judge an artwork at the Louvre. Likening his snowman-building skills to an artist himself, Calvin thinks he can do better. Instead, he crafts a terrifying monstrosity of a snowman. "The Torment of Existence," he calls it.

The Complete Calvin and Hobbes Collection

Hobbes ires Calvin's attempt to prioritize creative integrity over conforming to the norm. However, that may not be the Calvin intended, as he immediately starts to construct his next snowman, one that conforms to the norm of snowman making. It's hard to blame either. That's a haunting image that one would not expect to find in a children's comic.

3 There's Nothing Stupid About a T. Tex Jet

First Published: January 1, 1995

Calvin and Hobbes playing a game where T-Rexes are flying fighter jets.

As much as the mind of a six-year-old boy can be perplexing and rife with oddities, it can't be overlooked how creative children can be at that age. Calvin flexes such creativity by thinking up a T. rex in a jet; simply put, it's a Tyrannosaurus Rex in a jet. On top of just being a clever rhyme, it makes for a one-of-a-kind visual. A lot of Calvin and Hobbes comics that go left field are filled with one-of-a-kind visuals. It's certainly a ludicrous sight. In fact, the comic itself acknowledges just how ludicrous the concept is.

"This is stupid" are Hobbes' exact words, words likely shared by a few readers looking at this comic. Most of the wacky ideas that kids come up with are stupid, but like the T. rex jet, it's always marvelously creative, and that has to count for something. If so, so must Calvin's brilliantly outrageous idea.

2 Calvin's Worst Nightmare

First Published: February 5, 1995

Calvin's mom is a sock puppet while he's experimented on

The first is Calvin looking at his door, and in the second, his room is bombarded by a giant sock puppet version of his mother. That's weird enough, but things get weirder when he soon realizes he's in a cage monitored by alien monsters looking to imprint on his species. The next and final reveal of the comic is that this was all a dream, or, rather, a nightmare. Appropriately, this entire comic is nightmare fuel. It's one twist after another, with each reveal somehow making for a scarier sight than the last.

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It often goes overlooked just how often and how easily these comics fall into nightmare fuel. For as wholesome as this series can be, it can also produce some of the purest of terror to be contained in any newspaper clipping.

1 The Tables Turn When The Deer Hunts The Deer Hunter

First Published: February 26, 1995

Calvin and Hobbes comic where deer are hunting people.

The best way for a Calvin and Hobbes comic to go off the rails or take a hard left is by subverting expectations. These comics can often take traditional ideas or phrases and turn them on their head. Arguably, the best example is this comic when a deer hunter finds himself deer hunted. It's an ironic, almost dark reflection of what happens when the tables turn and a human gets to feel how a wildlife animal feels when they're minding their own business, only to be scoped out in their natural habitat.

Like many moments in the comic's history, Calvin and Hobbes takes a philosophical approach to storytelling that offers deeper analysis than one would expect out of a cartoon about a child and his talking tiger. Or, at least it would, if one-half of Calvin and Hobbes' declaration to the class didn't end with him being called into another emergency parent-teacher conference.

Source: Calvin and Hobbes: Sunday Pages 1985-1995

Calvin & Hobbes Poster

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Writer
Bill Watterson
Colorist
Bill Watterson
Publisher
Andrews McMeel Publishing